not terribly active. So the week is over. A positive ct scan, no mri, some good vibes from my oncologist-doctor and his nurse practitioner I see the radiologist oncologist Monday morning (I hope--it is supposed to be snowing at that time--no one knows what kind of storm it might be) and hope to go on to the next step. Physically, I am feeling very good.
This afternoon, listened to Faust, the opera by Gounod on the Met broadcast---it was from 2011, a time when people really came to performances at the Met, Will it re-open in September of this year, as is planned? Hopefully, there is some good stuff that first week: Boris Gudonov and a rarely heard Gluck opera, as well as the new work that will open the season. But will it really happen...?
In September of 65, I bought a standing room ticket for the Met's then new production of Faust. I was feeling kind of lost and sad that day; this was before my "passion" for opera began---that would be about three months later--for that evening, I just needed something to see. This was the second prerformance of a new production- one of only two new productions at the Met that year-it was directed by Jean Louis Barrault, the famous French actor. In spite of the fact that it had a dream cast for the time---Nicolai Gedda, Cesare Siepi and Gabriella Tucci, I absorbed very little of it; remember that it all took place on a kind of disk; I thought it might represent a religious space where the Faust legend could be acted out.The reason why I was so outside of things: well, of course it had to do with a woman, who at that time was a was a Junior at Goucher college. I remember having this fantasy, all during the opera, the fantasy was this: she had come to New York at my request, transferred to a college in the city, and we were living together. So instead of returning to my empty room at the residence hotel I was living at---it wasn't even an apartment, just a small room with a bathroom in the hall---I would be returning to her waiting for me. All during the opera, I could not get that fantasy out of my mind. And when the opera was over---well, of course, I returned to my small room.
My opera conversion happened about three months later---actually on Christmas day night at a performance of Il Trovatore. By that time the young woman and I had settled---I began to accept that she was out of my life---and I was ready to become immersed in the opera world. From that time on--until the end of the Met's season, I averaged two performances a week. This was the last year at the old Met on 39nth street and the standing room line formed usually a few hours before each performance. It was a good way of meeting people and chatting --- I had many interesting conversations with my fellow standees and absorbed much information about many operas, and casts at the Met---former and present, as I tried to catch up with the whole scene. I was going to the theater also, but at that time, found myself very bored with the plays that I was seeing. So I did not feel I was missing much. The next season at the New Met, the standing room line was a very different animal--mostly the same people week after week, and definitely not as much fun.
Time to return to the present---some basketball games I have small bets on are starting soon, plus some interesting stuff on the radio. That is how one passes the time while one waits---for the next doctor's appointment, for the pandemic to finish, for......